What Weekly Documenting the Baltimore Renaissance

Land and Peoples

★ Tedd Henn & Justin Allen
Meet Me at the Crossroads

★ Allison
Lunar State: Halloween

★ Matt Kelley & Ian McMurphy
We Are Gone

★ David London & Theresa Keil
Arsenic and Old Lace

★ Theresa Keil
The Curious Fate of Human Kind

★ Gatsby
Shambhala

★ MakennaHardy
Give Corps turns 1!

★ David London & Theresa Keil
Outside The Black Box

★ Lee Boot
Pills, Stars, and a Duchess

★ Benjamin

★ Cover Story

Genevieve de Mahy

August 29, 2012

Peter Davis & Philip Laubner · Conversations on Theater

Genevieve de Mahy makes a pretty awesome sauce. Genevieve de Mahy is part of the Single Carrot ensemble. She is…

★ Documenting the Baltimore Renaissance

Village Learning Place Teams Up With Givecorps

August 29, 2013

Peter Jackson · Charm City

When the Village Learning Place (VLP) in Charles Village began assessing the Pre-Kindergarten students entering the LINK After School program, they found that many students

The Lady Gaga Hypothesis and Why I Can’t Help but Disagree

January 12, 2015

Rachel A. Lisner · Commentary

Photo by Robin Marchant/Getty Images Lady Gaga’s affiliation with the LGBTQIA community, regardless of its sincerity, validity, or necessity, exists. The masses have come to

All Things Return: A Story of Love, Loss, and Addiction

July 22, 2014

Violet Mclean · Essays

Ari said the hard part wasn’t smuggling himself into Egypt, the hard part was getting to the US. After a few weeks living on what

Underwater Sculpture

March 20, 2012

David London · Charm City

Robin Gunkel forwarded us Jason deCaires Taylor’s website and told us we had to check him out. We agree! The following bio and photos are

BROS: Making The Electric Pharaoh

September 11, 2014

whatshannonlight · Events, Performance

Editor’s Note: What Works Studio, the publisher of What Weekly, is proud to have Shannon Light Hadley on our team, who is also the kickass

Redefining Traditional :: The Nakatani Gong Orchestra

May 7, 2014

Kelly Louise Barton & Valerie Paulsgrove · Music

Acoustic sound artist and percussionist, Tatsuya Nakatani prefers to play traditional gongs a little differently: with his own hand-crafted bows. Driven by his own sound

Challenging a Culture of Low Expectations

May 23, 2013

Makenna Hardy · Social Innovation

The reality of life is that it’s not all cupcakes and rainbows. Even if it were, cupcakes aren’t good for you and rainbows mean there’s

Emily Wells at Cyclops Books

January 6, 2011

Philip Laubner · Music, Nightlife, Station North

Emily just moved to New York from LA where people warned her about the cold. She was undaunted. Head wrapped in large furry Russian ushanka

An Ambitious New Charter School Comes to West Baltimore

April 6, 2015

Dave K. · Charm City, Sustainability

Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have led their recent student enrollment campaign

If I Broke It :: Poetry :: Amy Arthur

September 4, 2013

Timmy Reed · What Lit

Illustration by Carabella Sands If I Broke It If my mind didn’t sail immediately past release to aftermath (the tedium of necessity,

The Hustle :: New Band Goblin Mold Keeps Costs Low, Ambitions High

March 5, 2014

Ezra Winter & Josh Sisk · The Hustle

Super-talented photographer Josh Sisk had a chance to swing by the Copycat and see Goblin Mold practice this past weekend. Goblin Mold is made up

Whoop Dee Doo

May 2, 2012

Piper Watson · Performance, Station North

What do you get when you dream up your own version of Pee Wee’s Playhouse, mix it with a little American Bandstand, and add a

Excerpt: Mother’s Day at The Orphanage by David Leigh Abts and Michael Shattuck

April 15, 2014

Timmy Reed · Literature, What Lit

Artwork by Carly Silverman, MICA 06 “Mothers Day at The Orphanage” is collection of semi-autobiographical short stories about odd jobs, fake businesses, mistaken identities, close shaves,