What Weekly ran from 2010 to 2016, documenting Baltimore’s creative culture and helping spark Light City. The Pronoia Effect tells the story of the magazine, the festival that grew from it, and what happened when we lost it all.
Contributors
fashion
The Tailor at Hour Haus
Upon learning that one of the city’s most notable up-and-coming men’s clothiers was staging his fitting room at Hour Haus…
The Tailor at Hour Haus
Upon learning that one of the city’s most notable up-and-coming men’s clothiers was staging his fitting room at Hour Haus…
nightlife
Murder Ink at Single Carrot Theatre
On the fifth of January participants in Single Carrot Theatre’s recitation of Anna Ditkoff’s City Paper column, Murder Ink, entered…
Murder Ink at Single Carrot Theatre
On the fifth of January participants in Single Carrot Theatre’s recitation of Anna Ditkoff’s City Paper column, Murder Ink, entered…
social innovation
Occupy Baltimore
The Occupy Movement, and the Arab Spring before it, are both remarkable because they represent the potential to create movements…
Occupy Baltimore
The Occupy Movement, and the Arab Spring before it, are both remarkable because they represent the potential to create movements…
artist profiles
Paco Fish
Photo by Philip Laubner It is difficult to wander the streets of Baltimore’s strange and eccentric world of performance without…
Paco Fish
Photo by Philip Laubner It is difficult to wander the streets of Baltimore’s strange and eccentric world of performance without…
sustainability
Small Time
A couple of years ago, while I was reporting on a redevelopment plan in Buffalo, New York, I met up…
Small Time
A couple of years ago, while I was reporting on a redevelopment plan in Buffalo, New York, I met up…
technology
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
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