WHAT WEEKLY

★ Art Criticism

Making Space for Steel

Fred Scharmen

Making Space for Steel – The Architecture of Sparrows Point By Fred Scharmen At Sparrows Point, on the outer harbor,…

Tracing a Father’s Presence

What Weekly

by Michael Farley Tony Shore: Harry Maryland Institute College of Art Pinkard Gallery: Bunting Center January 25 – March 17,…

We Are Tiger Dragon People

What Weekly

by Zvezdana Stojmirovic Colette Fu, We are Tiger Dragon People, Curated by Susan Isaacs Towson University, Center for the Arts Asian…

The Baltimore House Gallery Phenomenon

Max Guy

The Baltimore House Gallery Phenomenon, By Max Guy I want to start out by considering networking. The web has provided…

An Alternative, by Megan Lavelle

Megan Lavelle

  If I squint hard enough I can see past the dirt of the windshield and manifest the outline of…

Seeing Through

Deirdre Smith

For her first solo show in Baltimore, See Through, Mary Anne Arntzen presents a selection of new paintings that expand…

What Is Art Criticism? With Jordan Faye Block

Dr. Nodnol III, Esq.

What Weekly is pleased to announce the launch of its new Art Criticism Column. Over the next 13 months, we…

What is Art Criticism? With Minas Konsolas

Dr. Nodnol III, Esq.

What Weekly is pleased to announce the launch of its new Art Criticism Column. Over the next 13 months, we…

Nudashank, New York, New Work

Michael Farley

Shaun Flynn, Sludge Factory, 2012.  Image courtesy of Nudashank. Gran Prix Nudashank, Gallery Four, Charles Fish & Sons Building, 425…

Joshua Wade Smith

Marcus Civin

Joshua Wade Smith, Cataracts Gallery Four, H&H Building Gallery Four is run by a thrifty consortium of artists who live and…