What Weekly ran from 2010 to 2016, documenting Baltimore’s creative culture and helping spark Light City. The Pronoia Effect tells the story of the magazine, the festival that grew from it, and what happened when we lost it all.
Contributors
fashion
Fighting Rape in Underwear
Why are two feminists fighting rape in their underwear? Story by Rebecca Nagle, photos by Philip Laubner FORCE:…
Fighting Rape in Underwear
Why are two feminists fighting rape in their underwear? Story by Rebecca Nagle, photos by Philip Laubner FORCE:…
nightlife
Infernoland
Each year millions of families travel by planes, trains and automobiles to amusement parks all over the world. Upon arrival…
Infernoland
Each year millions of families travel by planes, trains and automobiles to amusement parks all over the world. Upon arrival…
social innovation
Murder Ink at Single Carrot Theatre
On the fifth of January participants in Single Carrot Theatre’s recitation of Anna Ditkoff’s City Paper column, Murder Ink, entered…
Murder Ink at Single Carrot Theatre
On the fifth of January participants in Single Carrot Theatre’s recitation of Anna Ditkoff’s City Paper column, Murder Ink, entered…
artist profiles
Clifton Futch
Clifton Futch – Interstate Man of Mystery Who gets Terrence Howard to act in their micro–budget feature shooting in Baltimore?…
Clifton Futch
Clifton Futch – Interstate Man of Mystery Who gets Terrence Howard to act in their micro–budget feature shooting in Baltimore?…
sustainability
An Ambitious New Charter School Comes to West Baltimore
Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have…
An Ambitious New Charter School Comes to West Baltimore
Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have…
technology
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
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