WHAT WEEKLY

Poetry: Lauren Bender and Stephanie Barber

29 July 2013

★ Timmy Reed

 

Some haikus and drawings for What Weekly

These are some haikus that Stephanie Barber wrote (one per day) and Lauren Bender described an illustration for.

 

looser than lincoln

more wishful than washington

john quincy adams

 

probably wooden teeth represented by eyes, knots, large hands and diminutive fruits

 

look at the camera

now tilt your head to the left

act like you’re crying

 

wish there was a way to draw an animated .gif—women thinking about fear

 

not airline pilots

not the wives of fishermen

not a small petal

 

wives of cranberry boggers—a mid-sized stem, pilots of sport aircraft

 

driftwood is speaking

giving clues and instructions

right there—deer arrow

 

contour; more knots but lighter this time—buoyed bait and bobbers but no boat

 

no, ghosts don’t exist

exist is fraught with worry

ghosts don’t worry

 

an empty room but with a feeling attached

 

that daisy leans in

like to listen to the grass

it is empathetic

 

a drawing of calvin from memory—not that calvin, the one who spits baby carrots

 

why is the slug nude

with its molluscian kin

shod so in spirals?

 

kingdom animalia—trilobite by the boy with the dog figurines all turned toward me

 

the bear is praying

to the stoplight on elm street

with leaves in his hair

 

man in bear costume or just bear, depending on the costume

 

musical flowers

like peonies and blue bells

smell sounds in ether

 

dad is master gardener—how can i draw synaesthesia

 

is that the sound of

heracles blowing bubbles

in the agora?

 

i need the answer first

 

a break is rest or

irreparable; distant

product of brittle

 

Kramer

 

gold damask curtains

a handful of glue sniffers

and five jack russells

 

gold damask curtains, a handful of glue sniffers, and five jack russells

 

your mouths shooting spit

and cartoon radio waves

slapping my ear’s ass

 

an ear with a butt

 

emily ruete

princess sayyide salme

and german hausfrau

 

wikipedia screen shot

 

damn cluck pit cost 6

and i got ulcerated

that cost 21

 

is this about chicken? one boneless, skinless breast

 

”moist is such a word”

”yes. drainage too, don’t you think?”

”oh yes, certainly”

 

two women with tin can phones held against their facebook statuses

 

they violent with want

and a hundred million stars

in skies black as sin

 

frogs reproducing in space

 

that war was belly

up by the time sharks arrived.

leftovers was all

 

tupperware with countries inside

 

pansies have a face

they really do, it’s the face

of a dumb infant

 

don’t make me do this

 

it is about fruit.

must a peach be metaphor

every single time?

 

two faces or a vase

 

their noctivagent

tendencies got the city

up in moonlit arms

 

sleepwalking on ambien, painting doors

 

their mission is to

end the exclusivity

of space savagery

 

grandmom as an astronaut, holding a coconut crème pie

 

that’n tree father

must’ve been inculcated

with whiska timing

 

thoreau swinging an ax

 

bastion of disease

hope of hope’s calamity

and tender eyelet

 

whatever it is, it must be the best—curtains, metal tub

potent optimist

in your relaxing torpor

wake your groggy ease

 

hypothyroidism

 

what bodes not too well

’bout the clarity of light

in your vertices?

 

someone who can’t get out of bed

 

all the bail bondsmen

in baltimore got their pant’s

pockets lined with tears

 

chris toll in shorts

 

i say give up now

give up, give up, give up now

while you’ve got the strength

 

a bunch of people struck with narcolepsy on the sidewalk, on their way to do things

 

why can’t my fingers

remember where your heart is?

those two rounds and point

 

hands doing this:

 

meret oppenheim

are ya pigeon toed or what?

all your boots make hearts

 

feet doing this:

 

all the houseplants list

to the left and their fav’rite

needy bumblebees

 

joy unencumbered, bee legs unencumbered by pollen, joyful with pollen

 

elizabethan

sailor and queen’s champion

decked in golden plume.

 

proud before the mast; on the hull it says, “it’s okay that ships are women”

 

three note leitmotif

secret to a flat tummy

scoldings from the street

 

incorrect kegel

 

country music stars

and their endless, inventive

use of nudity

 

nude dyson ball, nude garden claw, nude juicer, nude daughter of that guy, nude billy

 

saxophone solos

in the tree silhouettes of

songs like baker street

 

original northwood

 

a clowder of cats

a rookery of penguins

a drey of squirrel

 

polar bear 3-den system maternity fortress

 

we live in public

for all the wolf words dripping

pearls in india

 

you, holding furry strings in bright relief

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