You would be hard pressed to spend any amount of time in Baltimore without coming across a striking example of Michael Owen’s art. His images range from the largest mural in the city to pieces that would complement any personal collection. His work could be described as minimalist and often seeks out an intimate connection with its viewer. There’s a subtle, dreamlike deja vu in his paintings that resonates.
In the big picture above, Vagabond Opera’s Ashia Grzesik, along with the rest of Vagabond Opera, gave a mesmerizing performance…
On Friday night we witnessed a man reach an important milestone in his life and career. While validation comes in many forms there are only a few moments in a person’s life that pay dividends quite the way this one did for Shodekeh. Once an usher at The Meyerhoff Symphony Hall, he returned to astound those in the audience who had yet to experience his talent. For those of us who have watched him progress over the years, the moment conjured a sense of pride and inspiration. Shodekeh stood on that stage with many of the most respected musicians in the city because he made the necessary sacrifices to do so. The fact that he did it on his own terms was as impressive as the performance.
Can you imagine having too much love in your life? I have yet to hear someone say, “Gee, I just wish people didn’t like me so much” or “my birthday party was amazing except for all of the people who kept being nice to me” or how about, “there’s just way too much love in this world and we’re not going to take it anymore!”