The High Zero Festival, now in its 14th year, has its main concerts this weekend at the Theatre Project!
High Zero is the premier festival of Improvised, Experimental music on the East Coast, being fully devoted to new collaborations between the most inspired improvisors from around the world.
Lasting two weeks in total, the festival brings together 28 core musicians each year, but also involves a much larger subculture of musicians in Baltimore and on the East Coast. Unlike many related festivals, High Zero is not narrow in terms of sensibility or subculture, but rather widely inclusive of all the different types of experimental music-making in the moment. The fact that half of the festival’s core participants are from Baltimore speaks to the depth of Baltimore’s experimental music subculture, which in recent years has grown to be one of the richest cities in the country for experimental art.
The festival has a unique structure. HIGH ZERO is focused solely on new collaborations in freely improvised experimental music. Internationally famous musicians play side by side with younger “unknowns,” united by their commitment to the musical imagination. Each year, Baltimore becomes a fertile meeting-ground for a large group of inspired players, drawn from a fascinating international subculture.
The festival exposes large audiences to this radical music in its pure form. Large-scale public concerts, recording sessions, workshops, and guerilla street performances are all part of the heady mix. The players are carefully selected by the festival’s organizers for their intense, unique music, whether it is based around dramatic intensity, humor, specially designed instruments, original approach, raw sound, or nearly superhuman instrumental technique. The resulting collaborations challenge the limits of music and delight by their audacity, expressiveness, immediacy, and innovation. It isn’t about stars or established projects; it is about the most uncompromising and stimulating new improvised music we can bring together.
To say the High Zero Festival is an unusual event is an understatement. Not only does the festival intend to provide the audience with extremely varied, inspired and ingenious experiences, it is also a major challenge for the improvisors, who are put in contexts where their stock personal musical languages may not work, pushing them into terra incognita.
Click here to visit the High Zero Website, or check out the schedule of events below
This Weekends Schedule of Events:
Thursday Night, September 20th
Doors open 7:30 PM / Performances start 8:30 PM sharp
Solo:Margaret Rorison (projections, sound)
Group One: Shelly Blake-Plock (recordings), Lily Susskind (dance), Jennifer Walshe (voice, ideas) Ireland, Khristian Weeks (preparations)
Group Two: Jeff Carey (computer), Walter Kitundu (invented instruments) San Francisco, Jimmy Joe Roche (analog synth, video), Mario de Vega (electronics) Berlin
Group Three: Ayako Kataoka (dance, electronics), Mazen Kerbaj (trumpet) Beirut, Tom Nunn (invented instruments) San Francisco, Martin Schmidt (electronics)
Group Four: Lea Bertucci (bass clarinet) New York, Flandrew Fleisenberg (drums) Boston, Nick Podgurski (drums), Margaret Rorison (projections), Davindar Singh (baritone saxophone) Boston, Wilfrido Terrazas (flute) Mexico City, Suzanne Thorpe (flute, electronics) New York
Friday Night, September 21st
Doors open 7:30 PM / Performances start 8:30 PM sharp
Solo: Mazen Kerbaj (trumpet) Beirut
Group One: Lea Bertucci (bass clarinet) New York, John Blum (piano) New York, John Dierker (saxophone, clarinet), Flandrew Fleisenberg (drums) Boston
Group Two: Paul Neidhardt (percussion), Tom Nunn (invented instruments) San Francisco
Group Three: Shelly Blake-Plock (recordings), Thomas Dimuzio (electronics) San Francisco, Wilfrido Terrazas (flute) Mexico City, Mario de Vega (electronics) Berlin
Group Four: John Dierker (saxophone, clarinet), Owen Gardner (violoncello, guitar), Darius Jones (saxophone) New York, Paul Neidhardt (percussion), Jimmy Joe Roche (analog synth, video), Angela Sawyer (voice, toys, electronics) Boston, Davindar Singh (baritone saxophone) Boston
Saturday Matinee, September 22nd
Doors open 12 NOON / Performances start 1:00 PM sharp
Two special sets that break the pattern of nightly performances:
Jennifer Walshe, ensemble piece: Jennifer Walshe is known for her bold compositional ideas. Today, she organizes experimental musicians into an ensemble. With Darius Jones (saxophone) New York, Walter Kitundu (invented instruments) San Francisco, Stewart Mostofsky (electronics), Duncan Moore (drums, miscellany), Angela Sawyer (voice, toys, electronics) Boston, Suzanne Thorpe (flute, electronics) New York
Mazen Kerbaj, Wormholes – live comics and music: Mazen Kerbaj is known both for the unusual way he plays trumpet and his comic art style. This Saturday will feature him drawing live to a soundtrack of improvised music. With John Dierker (saxophone, clarinet), Thomas Dimuzio (electronics) San Francisco, Ayako Kataoka (dance, electronics), Paul Neidhardt (percussion), Jimmy Joe Roche (analog synth, video), Khristian Weeks (preparations)
Saturday Night, September 22nd
Doors open 7:30 PM / Performances start 8:30 PM sharp
[buy tickets]
Solo: Tom Nunn (invented instruments) San Francisco
Group One: Flandrew Fleisenberg (drums) Boston, Stewart Mostofsky (electronics), Davindar Singh (baritone saxophone) Boston,
Group Two: Lea Bertucci (bass clarinet) New York, Owen Gardner (violoncello, guitar), Ayako Kataoka (dance, electronics), Lily Susskind (dance)
Group Three: John Blum (piano) New York, Jeff Carey (computer), Darius Jones (saxophone) New York, Nick Podgurski (drums)
Group Four: Duncan Moore (drums, miscellany), Angela Sawyer (voice, toys, electronics) Boston, Martin Schmidt (electronics), Jennifer Walshe (voice, ideas) Ireland
Sunday Night, September 23rd
Doors open 7:30 PM / Performances start 8:30 PM sharp
[buy tickets]
Solo: Khristian Weeks (preparations)
The Night of Randomization
This year, the High Zero Festival will leave Sunday Night’s sets up to chance. Fourteen performers will be divided into four sets, randomly. Come find out what happens at 2012’s final performance.
Musicians will be chosen from this list: Shelly Blake-Plock: recordings, John Blum: piano, Thomas Dimuzio: electronics, Owen Gardner: violoncello, guitar, Walter Kitundu: invented instruments, Duncan Moore: drums, miscellany, Stewart Mostofsky: electronics, Nick Podgurski: drums, Margaret Rorison: projections, Martin Schmidt: electronics, Lily Susskind: dance, Wilfrido Terrazas: flute, Suzanne Thorpe: flute, electronics, Mario de Vega: electronics
Group One: Random Duo
Group Two: Random Trio
Group Three: Random Quartet
Group Four: Random Quintet
Workshops:
Mazen Kerbaj
Towson University
Center for the Arts
Friday, 9/21 at 3:30pm
Room 2075
Thomas Dimuzio
Maryland Institute College of Art
Friday, 9/21 noon
Brown 206
Tom Nunn
University of Maryland – Baltimore County
1000 Hilltop Circle, Fine Arts Building
Friday, 9/21 1pm
Room 508







