Contributors
fashion
From Russia, With Lace
Polina’s Prive Photography by Sarah Thrower Just because it is underneath what most people see on a daily basis, lingerie…
From Russia, With Lace
Polina’s Prive Photography by Sarah Thrower Just because it is underneath what most people see on a daily basis, lingerie…
nightlife
Emily Wells at Cyclops Books
Emily just moved to New York from LA where people warned her about the cold. She was undaunted. Head wrapped…
Emily Wells at Cyclops Books
Emily just moved to New York from LA where people warned her about the cold. She was undaunted. Head wrapped…
social innovation
Ad-ucation
Sometimes you just have to say it: There’s an elephant in our living room. This week’s film is about something…
Ad-ucation
Sometimes you just have to say it: There’s an elephant in our living room. This week’s film is about something…
artist profiles
Ian Hesford :: Dead and Back Again
The tropes concerning what people see when/after they die are well-worn; bright lights, the spirits of dead relatives, out-of-body experiences…
Ian Hesford :: Dead and Back Again
The tropes concerning what people see when/after they die are well-worn; bright lights, the spirits of dead relatives, out-of-body experiences…
sustainability
Small Time
A couple of years ago, while I was reporting on a redevelopment plan in Buffalo, New York, I met up…
Small Time
A couple of years ago, while I was reporting on a redevelopment plan in Buffalo, New York, I met up…
technology
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
© 2026 What Weekly, a What Works Studio publication
