WHAT WEEKLY

Ode to the Bazaar

21 September 2011

★ Lee Boot

Aside from trauma, it seems to me that very few things are more effective at triggering denial than when our identity is threatened. American exceptionalism is an example. But rather than whine about the great social services and infrastructure some other countries have compared to the US as a way to break through, I’m going to get right down to an area where we in the States really think we have it going on. Of course, I’m talking about shopping.

United States-ians’ left eyelids start to twitch when we see the facilities afforded school children in Europe, but when we go shopping, we believe with confidence, “nowhere else in the world can people browse through such abundance—AND with plenty of free parking.” Shopping is so inscribed in our national DNA that even a Marxists may want to take this next bit sitting down.

Just off the main street in the part of Istanbul where you’ll also find Hagia Sophia and the Blue Masque, you enter the Grand Bazaar through an uncelebrated hole between a two minor establishments. There’s no big sign, but everyone knows where it is. You find yourself in a very old hallway with a painted, vaulted ceiling. You come to a place where you must turn. You do, and you stop. You must stop. You are looking down a covered shopping avenue that appears to go on forever. It boggles the mind. If there were a heaven for a teenager with birthday money in their pocket, this would be it. It is bristling with every kind of shop from sportswear to leather to spices to jewelry, as you might expect.

You begin to walk forward and every 150 feet, you come to another intersection where once again, the beautiful hallways go on in every direction. Say you are looking for a hand-painted serving bowl. You enter not the first shop displaying these wares, but the fifth or tenth, because though each shop has hundreds of plates, cups and bowls on display, and each is hand-painted with high-craft precision and lusciousness—all Turkish made, each shop’s inventory is also distinct so you must weigh and choose. The moment you enter, you have a one-on-one relationship with the owner or one of his two (at most) assistants. You point to a bowl and ask the price. He smiles and tells you a high number as his eyes move to his assistant to let him know to bring apple tea for you while you talk. You tell him you can only pay a fraction of that price. He shows you other lovely but less expensive pieces, though sees you are not interested. He gives you a much lower price for the one you want.

You sip the tea, thank him, say again how much you love the work but it simply is not possible, etc. You leave. Later you return still saying your friend is interested in something else in the shop. You continue to eye the piece. Your friend discovers they do not have precisely what he is looking for, but somehow the conversation about the original piece you wanted begins again with the owner. Soon you leave with the extraordinary work at a criminal price, yet the storeowner’s grin allows you to know he got his. You go on to see hand-woven silks, clothing, and tiny electronics and are met with the same experience each time you enter a shop. Some of the displays are pleasantly weird.

Oh, you arrive and leave in clean, safe, fast public transportation (ouch).

Yes, we have crafts fairs and the works are excellent, but you don’t feel as good about bartering. Further, you can’t buy the clothes you have to wear to work as you can in the market here, and when the fair is gone, what do you do? I know, shop online! Somehow silk and spices don’t quite come across in that medium. So you go to Nordstroms to buy something made by a machine, with the help of an underpaid Asian (the Turkish craftspeople are likely underpaid too). What you get is like a million other of the same now circulating throughout the US.

All in all, it seems the new world could learn a thing or two from the old one… -just sayin’.

 



fashion

The Tailor at Hour Haus

Upon learning that one of the city’s most notable up-and-coming men’s clothiers was staging his fitting room at Hour Haus…

Charm City Fashion Show at BMI

From Russia, With Lace

Confirmed Stock

The Littlest Fashion Truck Ever

Dyed For You

nightlife

Infernoland

Each year millions of families travel by planes, trains and automobiles to amusement parks all over the world. Upon arrival…

Emily Wells at Cyclops Books

Commissure At The Contemporary Museum

The Death Set: Slap Slap…

Boite: Show and Tell

Gateway at Ruintown

social innovation

Warnock Foundation Survey Finds Hope Amongst Baltimoreans

Publishers’ Note: The Warnock Foundation is a client of What Weekly’s sister company, What Works Studio. We are proud to…

Baltimore Renaissance Project

Existence Day 2010

Dusting Off Our Game

Murder Ink at Single Carrot Theatre

Feedback

artist profiles

Deeply Subjective Music

For many artists, the 9-5 grind does not seem to fit into a creative life. Such is the case with…

BROS

Minás Konsolas: ArchiteXture

Elizabeth Brady

Clutch

We Are Gone

sustainability

Fixing The Future

Photos courtesy Gabby Carroll Last week at the Creative Alliance, the Baltimore Green Currency Association (BGCA), founder of Baltimore’s regional…

Welcome to the Free Farm

An Ambitious New Charter School Comes to West Baltimore

Strange Folks at Ash Street Garden

Farmageddon

Small Time

technology

How to See the Party Before You Arrive

Revolutionizing the nightlife experience. That’s what Happinin! creators Michael Cianos, Tyler Kelly, and Kyle Eddins are all about. The three…

Create Baltimore, Take 2

The God Particle

How to Make Your Cat a Cinematographer (GoPro Edition)

Inside The Electric Pharaoh

Betamore