WHAT WEEKLY

IstanBaltimore

14 September 2011

★ Lee Boot

Leaving my world behind allows me to experience other cultures, and also helps me see my own. I’m in Istanbul at the International Symposium of Electronic Art (ISEA) to find out what others are doing, see the Istanbul Biennale, and talk about prosocial media research. Istanbul is cool. Baltimoreans would love it, as does everyone here, it seems. Since I arrived I’ve been scribbling down notes, trying to better understand my sense that Istanbul and Baltimore are similar in some significant ways, and so are Turkey and the US.

We both have identity issues, and things we can learn from each other. Both have struggled for centuries to understand how a powerfully religious population can nest in a modern society whose face to the world is secular—and like ours, visibly focused on commerce. Mostly, it works. The percentage of Muslims (and Christians) who are non-pluralist fundamentalist, like Rick Perry’s associates at the New Apostolic Reformation, is apparently low enough that they don’t see a way to dominate the country’s politics.

Having been the seat of two empires, the people of this city might have a few words of caution to offer the US. Istanbul is literally built on the rubble of the Byzantine and Ottoman Empires. After millennia of glory, by mid-twentieth century, Istanbul was a broken down shell of its former self with a pall of melancholy hanging over the city. Like Baltimore at the end of the 1960s, residents who were left must have looked around them and wondered, “We were great once—what went wrong?” There’s something destructive to the self-esteem and self-efficacy of a population that goes through this. Orhan Pamuk writes about it beautifully in his book, Istanbul. As a Baltimorean, aware of what our city must have been like in its past hay day, and aching for the renaissance I know is coming, I can relate. We share something else. Just as Baltimore is suspended between Northern industrial and pragmatist sensibilities, and the conservatism of the South—often locking us into what feels like rigor mortis, Istanbul is where East meets West. The air seems compressed under the pressure, but they’ve used this to their advantage.

Istanbullas rebuilt. Unfortunately, most of the great houses in Istanbul were wooden and were torched to make room for new development. We have brick. Good choice. (Maybe I can sell formstone here!). Now the city is once again thriving cosmopolitan metropolis, with a population that went from 500 thousand to nearly 10 million. (Watch out New York, we’re on your heels!) What’s more, Turkey’s GDP grew 8.9% last year. That’s where our story and theirs diverge.
I check out my take on all this with Barbaros, a gentleman who spoke enough English to help me communicate “vermouth” to the bartender. He’s lived here all his life, though travels and sees his country from the outside as well. He confirmed my understanding of his city and his country, but worries about their future—the economy, etc. He also worries about something new—and very old, and unsettling. Turkish Prime Minister, Erdogan, as you may know, has thrown down the gauntlet with Israel. We shared a drink. Not all that far from where my country’s treasure and blood soak the soil, we spoke few words to know what each other thought about empires.

 



nightlife

Brian Baker

Brian Baker creates life-size pieces of art with, as he puts it, "gods and goddesses, angels and demons, spirits and…

The Death Set: Slap Slap…

Weekends: Totem

Commissure At The Contemporary Museum

Shodekeh at The Meyerhoff

Comedy Noir

social innovation

When It Works

This 5th film installment in WhoWeAm’s series on education is an interview with an Art Teacher who looks at her…

Come Home Baltimore

Redefining Family and Community

Open Walls Baltimore

Laugh & Smile

Getting Baked

artist profiles

Soldiers Find Healing Through Art

From music therapy and acupuncture to therapy dogs and yoga, there are alternative ways to cope with trauma that are…

The Blind Biker

Parallel Practice at the BMA

Nikkuu Design

Loring Cornish

A Conversation with Bob Rose

sustainability

An Ambitious New Charter School Comes to West Baltimore

Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have…

Strange Folks at Ash Street Garden

Farmageddon

Fixing The Future

Big Green Pirate Party

Small Time