There’s been no shortage of discussion concerning the artist’s affect on society as of late. More specifically, there’s been growing…
I felt disembodied, as if I were floating, watching people react to the news of my own death. I got…
Publishers’ Note: The Warnock Foundation is a client of What Weekly’s sister company, What Works Studio. We are proud to work with The…
In the sometimes empty space between technology-driven special effects and ethereal, heartfelt poetry, artist Sean Michael Kenny uses ingenuity and…
Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have…
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…