What Weekly ran from 2010 to 2016, documenting Baltimore’s creative culture and helping spark Light City. The Pronoia Effect tells the story of the magazine, the festival that grew from it, and what happened when we lost it all.
Contributors
fashion
In Good Fashion: Form The Label
We believe that Baltimore with all its tenacity and swagger is finding a way to re-brand itself on multiple fronts.…
In Good Fashion: Form The Label
We believe that Baltimore with all its tenacity and swagger is finding a way to re-brand itself on multiple fronts.…
nightlife
Murder Ink at Single Carrot Theatre
On the fifth of January participants in Single Carrot Theatre’s recitation of Anna Ditkoff’s City Paper column, Murder Ink, entered…
Murder Ink at Single Carrot Theatre
On the fifth of January participants in Single Carrot Theatre’s recitation of Anna Ditkoff’s City Paper column, Murder Ink, entered…
social innovation
Baltimore is “The Most Generous City in America”
Publisher’s Note: What Works Studio, the agency that produces What Weekly, is proud to have served as GiveCorp’s marketing partner for…
Baltimore is “The Most Generous City in America”
Publisher’s Note: What Works Studio, the agency that produces What Weekly, is proud to have served as GiveCorp’s marketing partner for…
artist profiles
The Copycat Project
There are few buildings in the Baltimore Arts Skyline that hold as much history, mystery, and allure as the Copycat.…
The Copycat Project
There are few buildings in the Baltimore Arts Skyline that hold as much history, mystery, and allure as the Copycat.…
sustainability
Farmageddon
On Halloween nothing’s more frightening than a bobble headed Mr. Boh hanging out with the Gorton’s fisherman guy. Over the…
Farmageddon
On Halloween nothing’s more frightening than a bobble headed Mr. Boh hanging out with the Gorton’s fisherman guy. Over the…
technology
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
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