What Weekly ran from 2010 to 2016, documenting Baltimore’s creative culture and helping spark Light City. The Pronoia Effect tells the story of the magazine, the festival that grew from it, and what happened when we lost it all.
Contributors
fashion
La Cakerie
Baked goods can take a significant amount of skill and artistry to prepare and create, and among our favorite treats…
La Cakerie
Baked goods can take a significant amount of skill and artistry to prepare and create, and among our favorite treats…
nightlife
Boite: Show and Tell
When you’re a kid and something totally awesome comes into your possession it can be hard to contain oneself whilst…
Boite: Show and Tell
When you’re a kid and something totally awesome comes into your possession it can be hard to contain oneself whilst…
social innovation
Capitalism with a Conscience: All Tesla Patents are Now Open Source
The people over at Tesla Motors are at it again. After 11 years of designing, manufacturing and selling electric cars…
Capitalism with a Conscience: All Tesla Patents are Now Open Source
The people over at Tesla Motors are at it again. After 11 years of designing, manufacturing and selling electric cars…
artist profiles
MilkMilkLemonade
An Interview With Playwright Joshua Conkel By Ken Greller Amongst a certain crop of young, largely New York City-based playwrights…
MilkMilkLemonade
An Interview With Playwright Joshua Conkel By Ken Greller Amongst a certain crop of young, largely New York City-based playwrights…
sustainability
An Ambitious New Charter School Comes to West Baltimore
Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have…
An Ambitious New Charter School Comes to West Baltimore
Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have…
technology
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
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