What Weekly ran from 2010 to 2016, documenting Baltimore’s creative culture and helping spark Light City. The Pronoia Effect tells the story of the magazine, the festival that grew from it, and what happened when we lost it all.
Contributors
fashion
Confirmed Stock
Oh, Charm City. We may be behind other major metropolises in a few ways, what with their reliable public transportation…
Confirmed Stock
Oh, Charm City. We may be behind other major metropolises in a few ways, what with their reliable public transportation…
nightlife
Nina Simone: Baltimore set to scenes from The Wire
Nina Simone: Baltimore set to scenes from The Wire.…
Nina Simone: Baltimore set to scenes from The Wire
Nina Simone: Baltimore set to scenes from The Wire.…
social innovation
Both-And
The recent PopTech conference in Maine, attended by several of people associated with What Weekly, was interesting in this regard.…
Both-And
The recent PopTech conference in Maine, attended by several of people associated with What Weekly, was interesting in this regard.…
artist profiles
Infinite Games: Mixtum
“There are at least two kinds of games. One could be called finite, the other infinite. A finite game is…
Infinite Games: Mixtum
“There are at least two kinds of games. One could be called finite, the other infinite. A finite game is…
sustainability
Fixing The Future
Photos courtesy Gabby Carroll Last week at the Creative Alliance, the Baltimore Green Currency Association (BGCA), founder of Baltimore’s regional…
Fixing The Future
Photos courtesy Gabby Carroll Last week at the Creative Alliance, the Baltimore Green Currency Association (BGCA), founder of Baltimore’s regional…
technology
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
© 2026 What Weekly, a What Works Studio publication
