What Weekly ran from 2010 to 2016, documenting Baltimore’s creative culture and helping spark Light City. The Pronoia Effect tells the story of the magazine, the festival that grew from it, and what happened when we lost it all.
Contributors
fashion
Sharp Dressed Man Opens In Mt. Vernon
There’s a certain confidence that accompanies a great set of clothes that fit just so. This shift in attitude can…
Sharp Dressed Man Opens In Mt. Vernon
There’s a certain confidence that accompanies a great set of clothes that fit just so. This shift in attitude can…
nightlife
Murder Ink at Single Carrot Theatre
On the fifth of January participants in Single Carrot Theatre’s recitation of Anna Ditkoff’s City Paper column, Murder Ink, entered…
Murder Ink at Single Carrot Theatre
On the fifth of January participants in Single Carrot Theatre’s recitation of Anna Ditkoff’s City Paper column, Murder Ink, entered…
social innovation
The Internet is My Religion
"God is what happens when humanity is connected. Humanity connected is God. Each one of us is a creator but,…
The Internet is My Religion
"God is what happens when humanity is connected. Humanity connected is God. Each one of us is a creator but,…
artist profiles
Michael Owen
You would be hard pressed to spend any amount of time in Baltimore without coming across a striking example of…
Michael Owen
You would be hard pressed to spend any amount of time in Baltimore without coming across a striking example of…
sustainability
An Ambitious New Charter School Comes to West Baltimore
Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have…
An Ambitious New Charter School Comes to West Baltimore
Publishers’ Note: Green Street Academy is a client of What Weekly’s sister company, What Works Studio. We are proud to have…
technology
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
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