What Weekly ran from 2010 to 2016, documenting Baltimore’s creative culture and helping spark Light City. The Pronoia Effect tells the story of the magazine, the festival that grew from it, and what happened when we lost it all.
Contributors
fashion
Confirmed Stock
Oh, Charm City. We may be behind other major metropolises in a few ways, what with their reliable public transportation…
Confirmed Stock
Oh, Charm City. We may be behind other major metropolises in a few ways, what with their reliable public transportation…
nightlife
Commissure At The Contemporary Museum
I felt disembodied, as if I were floating, watching people react to the news of my own death. I got…
Commissure At The Contemporary Museum
I felt disembodied, as if I were floating, watching people react to the news of my own death. I got…
social innovation
Malaise and Malaria
The big hope for Westerners in the past few centuries was the idea that things would just keep getting better…
Malaise and Malaria
The big hope for Westerners in the past few centuries was the idea that things would just keep getting better…
artist profiles
We Are Gone
Jeremy Crawford’s personality is almost as bright, bold and colorful as his paintings. Originally from Vermont, and after a 9…
We Are Gone
Jeremy Crawford’s personality is almost as bright, bold and colorful as his paintings. Originally from Vermont, and after a 9…
sustainability
Farmageddon
On Halloween nothing’s more frightening than a bobble headed Mr. Boh hanging out with the Gorton’s fisherman guy. Over the…
Farmageddon
On Halloween nothing’s more frightening than a bobble headed Mr. Boh hanging out with the Gorton’s fisherman guy. Over the…
technology
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
Create Baltimore, Take 2
Story by Daniel Stuelpnagel Some artists don’t like technology, but I’m not one of them. All the more reason to…
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