Would you like to hear Billy Joel and Elton John live, playing for free, at a cozy bar in Baltimore’s Mount Vernon neighborhood?  Okay, you can’t, but you wouldn’t know it if you walked into Jay’s on Read on the night Leonardo (Leo) Cagape plays and sings the songs of Billy Joel, Elton John and some of the greatest songwriters of the last seventy years.  Leo is that good.  The range of the songs he plays is phenomenal – from Gershwin to Leonard Cohen and more.  He’s also an accomplished pianist, both as an accompanist and as a jazz instrumentalist, and a singer with a powerful yet sensitive voice, that can soar at one moment and become soft and expressive at the next.  See and hear him online and judge for yourself.  His rendition on YouTube of Billy Joel’s “She’s Always a Woman to Me” is stunningly beautiful and sounds astonishingly like Billy Joel himself.  And it’s even more real in person.

I discovered Leo at Jay’s on Read a few months ago when I was searching Yelp for a place to hear good piano-bar music in an intimate setting.  In Jay’s I found the ideal place: a quaint neighborhood bar with real brick and wood walls, festooned with campy decorations under the soft glow of dimmed lights.  All around, the pleasant murmur of quiet conversations emanated from small groups of bar denizens thoroughly enjoying themselves in a state of alcohol enhanced good cheer.  But what I found in Leo’s music far exceeded my expectations.

Listen to Leo and let the music move you and take you through memories and emotions, former and present loves, dreams and fantasies – until the evening ends and you awaken from the lovely trance he has put you under.  If you love romantic, heartfelt songs and ballads, come hear Leo, and try to sit close to him to minimize the distractions of the bar scene.   If you love music that absorbs you with the feelings of the story it tells, come hear Leo. I always come away from an evening of his music a little happier, and a little sadder, but always pleasantly emotionally spent.

Leo has lived in Baltimore since emigrating from Manila seven years ago.  He works as a shipping clerk, and lives in Linthicum Heights with his wife, Beth, and their three children.  He possesses a disarming child-like earnestness and innocence that makes him appear far younger than his actual age of 39.  He’s soft-spoken, serious, and reserved, even shy, and he gives the impression that he doesn’t realize how good he is:  such a humble guy for such a big talent. Yet he is friendly and personable once you get to know him a little. But until you hear him play and sing, you would never know from his appearance and demeanor how moving his music is, and how much feeling it conveys.

Leo’s talent developed from a lifetime of playing and singing, first with family members, then under the kindly guidance of mentors, and, later, before club patrons in Manila, and, for ten years, to passengers on cruise ships based in Florida, Japan and Singapore. He says that people seem to feel he was born with all of his musical ability intact, but he knows that it’s mostly the result of the influences he’s had, and the hard work he’s put into it.  Whatever innate gift nature has bestowed on him, he and others have polished and shaped it into the gem he puts on display every Friday night at Jay’s.  A lyric from Billy Joel’s “Piano Man” sums up my reaction to him best: “Man, what are you doing here?”

I caught up with him recently at Jay’s on Read.

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When did you start playing music seriously?

Seriously, I started when I was 17 years old when my brother asked me to join his band. He was playing in Manila, in various clubs there, as a guitar player. He heard me practicing and asked, “Why don’t you just join me?” He’s my eldest brother, and, my father left the family for    another family, and my brother said, “Since I can’t afford to send you to college come with me and just play music. You’ll probably make a living out of it.”

You were playing music before then but not professionally?

In a church. I started in a church. I was taught piano by a priest. I was about 15 years old.   There was an old electric piano in the church but no one was playing it, so he taught me a little bit how to read music and how to read the chords and play Gospel songs. Before that, my father had bought me a Casio keyboard and I taught myself imitating other players. I was about 13 years old. My first song was “Let it be.” I come from a musical family actually. My father loved to have us sing.  During that time, 80s in the Philippines, folk music was so big. They played a lot of old songs like James Taylor, Simon and Garfunkel, and John Denver. That’s how I started. One of my brothers taught me how to sing the right way, in the right timing. We just loved singing. We were just influenced by the music from here. I’ve been singing most of my life, from 7 years old.”

Who were some of you biggest musical inspirations? I know you like Gershwin. Who were some others?

I love Tony Bennett, how he sings, even at his age now. In songwriting, I love the works of    Michel Legrand. Billy Joel is also a hero to me ‘cause he can write songs and he’s a really good pianist.

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You seem to channel Billy Joel. You really have him down. Is that something you consciously do?

I don’t do it intentionally. It just comes out naturally. I just love singing those songs.”

I know you’ve posted your version Billy Joel’s “She’s Always a Woman to Me” on YouTube. Did you see some of the responses you got? They were very enthusiastic. I mean they were raving about you.

Yeah I just came to realize that. I don’t know if I have regrets, but I’m 39 years old, and I’ve been away, it’s like I’ve been hiding on cruise ships. I should have had an album, I should have, in the Philippines, tried to go to a label and ask if I could become one of their artists. That’s something I still want to do, have my own album.

Why didn’t you record an album?

I was too busy going back and forth on cruise ships. I was mostly an accompanist on the cruise ships. I went solo later. [But] When I put my videos on YouTube [and saw the response they got] I realized I have a voice I should be proud of.

Did you ever think of getting a manager or an agent?

Yes, that’s one of the things I want to pursue. I had a chance, when I was playing on a cruise ship in Singapore. There were a group of people who came on-board, they were in the entertainment business in the Philippines, and they heard me, they were famous musicians and promoters in the Philippines, they heard me, but for some reason it didn’t work out. When I went back to the Philippines, I didn’t call the number they gave me.

Why do you think that was?

I was going back to the cruise ship. I didn’t have much time.

I see. Getting back to the present, do you play with a group? When I saw you at the benefit (for the victims of typhoon Haiyan) you were playing with a group. Is that your group?

No, we were just jamming. But in 2010 I joined a band, from Washington D.C. The name of the band was “Black Tie Band.” It’s basically a wedding band. They’re famous around D.C. I played with them for about one year. But I had to quit to help care for my youngest daughter, who was very young then. The group had a lot of gigs around D.C. and we played a lot. The Washington Talent Agency still calls me sometimes for solo gigs, in hotels, once in a while.

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How do you keep up your technique?

Yes, I practice at home a lot. I learn new songs from CDs, and from music sheets.

When you hear a new song that you like, how long does it take you to learn it well enough to play in public?

If I really like the song, about 2 days usually, by listening to it and playing along with it.

Do you have any compositions of your own?

I only have two songs. I don’t play them in public but I recorded them at home.

What are your goals musically?

To have an album. To hear myself on the radio. I’m not into being famous. I just want to be recognized as a singer, a musician who can sing and is a pleasure to listen to. Since I have a YouTube channel, now that I have 700,000 views, many are asking me if I have my own songs that they can buy. It’s hard to answer that. I might make an album and sell it over the internet. You can do that nowadays. But to do that I will need collaboration with a good lyricist, because English is my second language. I’m not really good at writing English songs, English lyrics, but I have a lot of melodies in my brain.

Where else do you play?

At events – private, corporate, once in blue moon.

You play a variety of styles, ballads, love songs, of the 40s through the 80s. And jazz numbers as well. Do you play rock and roll?

Yeah, I’m open to any kind of music. I once became a keyboard player in a famous Ska band in the Philippines.

What attracts you to the music you play here at Jay’s?

I just love those songs. Those American standard songs, from the 30s too.

Did you hear that kind of music in the Philippines?

No. I learned it in the cruise ships. The musical director was a really good pianist. And he was so kind. He taught me lots of things about how to play jazz music.

What’s it like playing here, in a bar scene, where some of the people are into the music and they appreciate it, but a lot of people are just here to drink or to talk, and they’re not really aware of how good you are, and how much feeling you put into   the music. Is that disappointing, or do you just play for the people who really enjoy listening to you?

Yeah, it inspires me when people are digging my music, and it doesn’t matter if some aren’t listening too much.

What keeps you coming back?

The people who enjoy listening to me.  And for myself too. Sometimes I’m nervous before I start playing, but I feel good after playing for four hours.

How do you play the same songs over and over and make them sound as if you’re playing them for the first time? How do you keep them fresh?

I get lost into a song whenever I play it. I remember Johnny Mathis once said “I’m a singer, not a performer.” That is he plays because he loves to sing.”

How can someone who reads this article contact you or hear a sample of your work or to hire you for a private event?

Contact my email account, leopiano2001@yahoo.com. You can also find my Facebook and YouTube channel by Googling my name, Leo Cagape.

  • Adel

    That’s my brother.. i remember him when he was young his first song he learned was “I’m but a small voice” by Lea Salonga actually i always accompanied him with my guitar!!!!thank you to Mr Robert Gesumaria for the interview…good job brother leo and keep it up…god bless!!!…Adel Cagape

  • Denise

    Great Story! Leo really is that good and Jay’s On Read is a lovely little place to hear his beautiful music.

  • Jason

    Great article, will stop by Jay’s for tonight’s performance.

  • wtf

    Sounds just like an elitist white girl’s writing looking one’s nose down at everyone.Thank God there is a straight white girl to point out to the rest of us her find du jour us. I guess she believes she too is Christopher Columbus discovering the undiscovered. Where would the world of culture be without people like you.GOD BLESS YOU;)

  • Dave Yancey

    Leo is the best singer no one has heard! The problem is people think John Legend and Bruno Mars are good singers and what you should sound like. Leo has such richness in his voice from going to the a soft timbre to a strong deep sustain. I hope he makes a CD soon. With the right producer people are going to be really amazed how good he is.

  • Claire

    Leo played at my husbands 70th birthday celebration. The party was a huge success because of his music.Keep singing, Leo.